Starting you out with one of my faves on Netflix, a little drama, a splash of an action thriller, and closing you out with a Marvel treat! Sounds good to me!! Check them out below:
Season 2-Raising Dion (Streaming on Netflix February 1)
Limited Series-Inventing Anna (Streaming on Netflix February 11)
Another week and another set of trailers waiting just for you!! Got a nice mix of returning and relaunched series, new films, and even a Pixar movie!! So dive right in and check them out below:
Definition Please (Streaming on Netflix January 21st)
The Worst Person in the World (In theaters February 4th)
Season 2-Sweet Magnolia (Streaming on Netflix February 4th)
Power Book IV: Force (Streaming on STARZ February 6th)
The Proud Family: Louder and Prouder (Streaming on Disney+ February 23rd)
Just cause the 2021 is coming to a close does not mean the movies and tv shows stop, if anything we get more!! Got another dose of trailers for your viewing pleasure!! Enjoy and check them out below:
Season 2-The Righteous Gemstones (Streaming on HBO Max January 9th, 2022)
As we get ready too close out another year, I wanted to make sure I got you all ready for what is hitting your tv and film screens in 2022!! Mixed it up for you as always with a little television and some film! Check them out below:
Power of the Dog (Streaming on Netflix December 1st)
Mother/Android (Streaming on Hulu December 17th)
Women of the Movement-Limited Series (Premiering on ABC January 6th)
So a couple a weeks ago I had the opportunity to offer a few of my thoughts about Asian representation in comic books and its relationship with the latest Marvel film, Shang-Chi andThe Legend of the Ten Rings for CNN Entertainment!! To view the complete article see here.
Check out some of the snippets below:
Shang-Chi’s early issues relied on some problematic stereotypes
Every iteration of Shang-Chi has a similar throughline: He’s always a spectacular martial artist, always playing tug-of-war with his former life as a fighter and always, always tormented by daddy issues. That blueprint was created by Englehart and Jim Starlin, the two-man team who brought the character to life (Englehart, perhaps best known for his dark, noir take on Batman, has also created characters like Star-Lord of “Guardians of the Galaxy,” and Starlin is responsible for MCU icons like its biggest villain, Thanos.)
In the early 1970s, Englehart and Starlin approached Detective Comics (DC) with an idea: a comic book take on the David Carradine series “Kung Fu.” (The series has been criticized for its use of “yellowface,” or casting White actors as Asian characters. Carradine is White but starred as a part-Chinese martial artist.)Starlin, an artist, loved the martial arts element of the story, while writer Englehart said he was interested in delving into Taoism and other philosophies to flesh out his protagonist. The two thought they’d found a match with “Kung Fu” — but DC thought the “kung fu craze was going to disappear,” Starlin said, and passed on the idea.
So the pair took it next to Marvel, whose executives agreed only after insisting that the pair inject some pre-existing intellectual property into their comic, both men told CNN.
In this case, the company had the rights to the character Fu Manchu, a racist caricature of a Chinese man created by British author Sax Rohmer in the early 20th century. The villain was then “grafted onto the series” as Shang-Chi’s father, Starlin told CNN in an August interview. (Racist depictions of Asian characters had appeared in comics before this, like the egg-shaped villain “Egg Fu” in a 1965 Wonder Woman issue and the 1940 character “Ebony White” in the early comic, “The Spirit,” said Grace Gipson, an assistant professor at Virginia Commonwealth University who studies race and gender within comics.)
Gipson, a pop culture scholar who studies race and gender within comics, said hiring writers of color like Yang to helm series about characters of color is an improvement, but it “is really not a hard task.” She said while comics creators have made great strides in deconstructing norms of who a comic book reader is and what storylines they want to see, the hiring of creators of color needs to happen consistently.”It’s about making sure the voices of those being represented always have a seat at the table as well as a microphone to speak,” she told CNN.
Still, she said, as a fan of comics herself, she’s enjoyed seeing more representative stories being told in mainstream comics.