Tune in on this Thursday May 12th at 3 pm/ET as Dr. Robinson and I continue our discussion n Blackness and horror with a discussion on the 1997 film, Eve’s Bayou!!
This discussion explores the 1997 film Eve’s Bayou. Actress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve’s Bayou begins with ominous narration: “The summer I killed my father, I was 10 years old.” From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth.
Just in case you want to refresh your memory of the movie, check out the trailer below:
So this past weekend I had the pleasure of being featured in two news outlets VCU News and USA Today!!
For VCU News, I was interviewed about one of my Spring courses, “Say Her Name: Humanizing the Black Female Voice in Television.” I got a chance to surprise my students with one of the actress [Cherokee Hall who plays “Extra Extra”] from the STARZ television series “P-Valley”.
Check out some of the story here:
It’s important to Gipson that the course engages with what’s happening in the world. The representation of Black female actors and the characters they take on has always been essential to the success of television as a medium,” she said.
However, Hollywood is not quick to showcase, celebrate, and even hire them. Television has made strides, but it has been inconsistent and slow moving,” she said, adding that many of the women whose work the course studies are breaking barriers and re-setting television culture. I want students to see how television and film are a way to tackle issues and problems.
Now for the USA Today article, I switch gears and offer some social commentary on the Dave Chappelle incident and whether America can still handle a joke!!
Here are a few of my thoughts below:
But the combustible cultural moment we are living in — one roiled by political discord and pandemic restrictions — certainly is testing that joke and let joke philosophy, says Grace Gipson, assistant professor in the department of African American studies at Virginia Commonwealth University.
I feel like in his day Richard Pryor took things to an extreme maybe even greater than what we see today, but no one was bum rushing the stage, says Gipson. Today, it seems like people are free to show their anger beyond heckling.