Posted in A Professor's Thoughts..., Black Joy, Dr. G's Travels

Dr. G’s #WestAfricanJourneyTravels!!-Day 3: Safari Time!!

I’m back with another day of adventure!!

So on today’s agenda, we did an excursion trip to the Bandia Reserve (which is Senegal’s first private animal reserve) for a safari trip. And let me first start out by saying I really appreciate all of the different types of safari’s that I have done because each one provides a new experience. Oftentimes when one does a safari you are in the natural environment of the animals (basically their turf), so they are nearly as accessible. This is partly because it is survival of the fittest. This one in particular provided a chance to see many of the animals up-close and personal.

Our reserve guide Malat was definitely on point!! He had all the facts down to a tee!! And he even had a few tricks on how to find where the animals were throughout the reserve. I noticed throughout the drive he would always look at the ground. Come to find out instead of using a walkie-talkie or cell phone, he went old school and tracked them by their footprints.

Dr. G with our Reserve Guide Malat

Now here is what you’ve been waiting on for this post…A few of the animals, we got to see we either had a chance to have a heart to heart or a very close encounter, check it below:

Now these rhinoceros are what I like to think of as gentle giants until you mess with their food. For the most part, they mind their business, however, we would witness one literally scare off some antelope during its feeding time. The one monkey next to him somehow managed to stick around probably because he was less of a threat with its food.

Feeding time for the rhino

Let me tell you these monkeys have NO FEAR and will snatch your food in a heartbeat!! One snatched a slice of pizza and another a sugar sweetener packet!

Dr. G having a brief conversation with one of the monkeys on the reserve.

Now who all remembers Zazu from The Lion King? Well, we got to see him and let’s just say the movie did a great interpretation!

“Zazu” also known as a Red-billed Hornbill

We also got to see zebra, various antelope, crocodiles, ostrich, impalas, warthogs, and giraffes, and more…

In addition to the animals, I would learn a great deal about the Baobab tree. Let me just say…WOW… these trees are some resilient forces of nature!! They are considered a central symbol of Senegal and some of them can hold as much as 10,000 liters of water during the rainy season. These fascinating creatures of nature can live up to 1500-2000 years old. Their roots are very shallow and even when they split or somehow break, they still manage to grow even if it is sideways.

The above tree is a significant one as there have been over 600+ griots buried within this tree. Now you are probably asking what do you mean buried? It’s an extraordinary feeling to know that you are amongst a collective of storytellers who played a role in preserving the culture. Griots played a significant role in oral history making sure the stories are passed down through generations. They served as a vessel of resistance for those who were against certain religions and cultural traditions, and a way to push back against French colonization. If there was a problem in the community, the griots would facilitate some type of resolution and restore order. As a repository of knowledge it was only right that they would be buried inside a baobab [also known as the tree of life], that their history would live on just like the baobab tree.

The literal lived realities and collective journeys of ancestors can be found here. And you will see me repeat this alot, it is essential that all voices are heard, acknowledged, and recognized, especially those of the African diaspora. Far too long land and culture is stolen or erased. Thus, stories tied to the land become important. Our guide Malat would share with us that if a griot was buried under ground, there would be no rain. Sharing that in the 1960s, soon after Senegalese independence, the government imposed egalitarianism, this resulted in banning spiritual practices of burial, which forced Serer people to bury the griots underground. It is said that in the same year there was a drought. While I do not have complete/exact information on this, one can find a history of droughts causing major famines in the region throughout the 1960s.

Dr. G paying respects to the ancestors who have transitioned back to the roots.

Now you know I gotta drop some interesting facts for you:

  • While the official language of Senegal is French (due to French colonization) the most widely spoken language is Wolof. [All those years of French in K-12 and college paid off some :-)]
  • There are only 3 white rhinoceros in the entire country of Senegal and two of them (male and female) are housed in the Bandia Reserve (see above).
  • The Baobab tree not only can live practically numerous lifetimes, but also as sources of food, water, and health remedies. The roots and the fruits are edible, the leaves can be eaten as a relish, cooked in a sauce, dried and powdered, and can even be good for women and their lady parts.
  • The Bandia Reserve was established in 1987 and was 400 ha (hectares) [equivalent to 989 acres] and now it has grown to 3500 ha [approximately 8,649 acres]
  • Riding on some of the roads, I felt like I was back in Georgia looking at all the red clay dirt (see some of the above pics)…and once again it made sense why white colonizers took Africans to familiar environmental/ecological settings…While enslaved folks did not realize that was what was happening the traders definitely did!!

As the excursion came to a close there were a few things that I did find very interesting…

  • No one really uses GPS it’s as if everyone just knows where to go and how to get there
  • No stoplights, stop signs, or street signs…As a visual learner and driver, I could probably manage to a degree once I learn the places, but the initial learning would be the tricky part. Talk about Jesus take the wheel! Can you imagine just pulling out onto the road, merging in however you can fit in? I would be a nervous wreck, but I guess if I were living there I would probably become a very aggressive driver.
  • There is a certain level of kindness that I saw in some of the people we encountered on today, just very chill , relax, and calm. Much like in Tanzania, the people here in Senegal embody a “Hakuna Matata” spirit.
  • This trip so far has further confirmed that I need to invest in some property abroad, quick and fast!! And what better place than in Africa!

As I close out for the day just wanted to share this joyful moment when some of the folks on the trip got a chance to purchase these AMAZING looking mangoes. And you would not believe the price… depending on the weight one could purchase 3 mangoes for what would be the equivalent of $1.60. Let’s just we would not even come close to getting that in the U.S. Gotta love supporting the local vendors. And don’t worry, I will check in with them and let you know how they taste.

Local street vendor selling mangoes

Oh and speaking of money here is some of the currency that you would find in Senegal:

Just a little bit of the West African CFA franc ($1.00 is equal to roughly 610 CFAs)

While the value may not be the same as the American dollar, the aesthetic (particularly African currency) is so much more appealing!!

Day 4’s post is going to be a heavy one, as we will be traveling to Goree Island which from the 15th to the 19th century was the largest slave-trading center on the African coast. It’s going to be a day that I will definitely have to further process and it will probably stick with me throughout the trip. But like Maya Angelou once said, “And Still I Rise!”

Photo by Papa birame Faye on Pexels.com

See you all soon!! Hope you all are enjoying the journey so far, and feel free to leave a comment below!! ~Dr. G

So glad I get to experience this with my Aunt Gloria
Posted in A Professor's Thoughts...

The South really does have something to say folks…

The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse “is an immersive multimedia art exhibition that traces 100 years of African American cultural influence and artistic expression.” This statement really does sum up so eloquently what visitors will see and hear when visiting this exhibition at the VMFA.

So upon walking through the doors, I am greeted with smiles and hello’s by a few VMFA workers, I pick up a brochure and I immediately see a thing of beauty… SLAB, 2021 (1990 Cadillac Brougham d’Elegance with custom accessories) [see below]…before you even walk into the actual exhibition one has to take a drive-by (rather walk-by lol) this classic vehicle, which in many ways sets the tone.

(“SLAB, 2021”-By: Richard FIEND Jones [aka International Jones] at the Virginia Museum of Fine Arts (VMFA) in Richmond, VA, Picture Courtesy of Grace D. Gipson)

This clean ride brings some joy into my heart and definitely made me smile. But what would come next stops me in my tracks. In the distance, I hear this faint but “chill up your spine” sound reminiscent of “Strange Fruit” sung by Billie Holiday. And as i get closer of course my ears do not deceive me at all, it’s this one lyric “Black bodies swingin’ in the southern breeze” on loop… One moment you hear and see Billie Holiday and then the next you hear and see Jill Scott, while simultaneously you see this video of a little Black girl on a swing enjoying the simple pleasures in life! I was like WOW, I’m just getting started and they GOT me!!

The Dirty South in so many ways is about identity, preservation, labor, expression, pain, joy, faith, tradition, and so much more. There were many moments when I would either get goosebumps or this tingle of my spine ( a couple of times I felt both) after hearing a jarring sonic sound, or gazing at an image that left me speechless. With each room I never knew what to expect, which made the exhibition like this exploratory adventure. But it was also like a Southern scavenger hunt, where I had this internal list of artists and themes that I knew I would have to find. Some of these artists/creatives that I would find included Bisa Butler, Romare Bearden, Kara Walker, Nick Cave, Clementine Hunter, Fahamu Pecou, Sun Ra, Deborah Roberts, among many others!!

(A collage of various works [Fahamu Pecou, Kara Walker, Renee Stout, Clementine Hunter and Bisa Butler] that are part of “The Dirty South…” exhibition at the Virginia Museum of Fine Arts (VMFA) in Richmond, VA, Picture Courtesy of Grace D. Gipson)

The Southern Black experience and culture was truly present so much so that I definitely had a few out of body moments where my spirit momentarily left, eventually making its way back to my body. So often the south gets placed into a singular box, but this exhibition made it very clear that is definitely not the case. As I always say #RepresentationMatters and that message was loud and clearly (literally and figuratively)!! Your thinking of the South will definitely be transformed. Blackness is unapologetically centered, but is enhanced by a spiritual conjuring, the regional inclusions, the Black queer voice, the labor, the children, the sonic vibrations, and the persistence of Black folks from the past all the way to the future!! So many stories, so many voices, so many points of view, just so much to take in…this was a time where I welcomed the feeling of being overwhelmed….My cup runneth over!!

Another moment worth mentioning that really made a huge impact was the way in which children were represented. I appreciated that not only did I see the pain and trauma, but also the way in which many of the images of the children were so innocent, simple and carefree. Some of the photographs like the one below took me back to my childhood days of going to church with mama and grandma and dozing off into a brief slumber on their lap, or flipping through the hymnals and singing along with the choir….ohhhh the memories.

(Top-“Ali and Quentin in Church” [1988]; Bottom l-r- “Ali” and “Ali and Quentin on Avenue S” [1988] By: Marilyn Nance at the Virginia Museum of Fine Arts (VMFA) in Richmond, VA, Picture Courtesy of Grace D. Gipson)

Nothing was off limits in The Dirty South, trust you will get it all and some!! Valerie Cassel Oliver, who serves as the exhibition curator creates a playing field that hits several home runs!! You will leave having many definitions of what the south represents. And without spoiling the last feature of the exhibition, I will say this just make sure you are prepared for every emotion to seep out of your body, just make sure to release and let it go…

Mississippi, Georgia (Atlanta), Alabama, Tennessee (Memphis), Texas (Houston), Louisiana (New Orleans), Florida (Miami) even parts of Africa and the galaxy have space in the The Dirty South exhibition. So if you have a chance, or you will be in the Richmond area it would be worth your while to stop by and check out this amazing aesthetic, cultural, and sonic experience!!

(“Strange Fruit” [1989] By: David Hammons at the Virginia Museum of Fine Arts in Richmond, VA, Picture Courtesy of Grace D. Gipson)
(“DJ Screw in Heaven 2 [2016] By: El Franco Lee II at the Virginia Museum of Fine Arts Richmond, VA, Picture Courtesy of Grace D. Gipson)

The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse will be at the Virginia Museum of Fine Arts through September 6th, 2021.

#VMFADirtySouth

~Dr. G “An Honorary Southerner”

Posted in Conversations with Beloved & Kindred

Conversations with Beloved & Kindred-Episode 5

Like clockwork, I’m ready for ya!! Just in case you missed it on yesterday, you can catch Thursday’s episode of Conversations with Beloved and Kindred here! And as I said to you before, these two episode definitely hit deep to the core! There is much to process and this is ONLY the beginning!!

The remaining episodes are sure to take us on even deeper dives through Lovecraft Country!!

Check it out below:

And on next time we will travel across the pond over to London to discuss the 2020 Netflix horror, thriller film His House, directed by Remi Weekes.

His House from Netflix Films

See you next time!