Posted in A Professor's Thoughts..., Feature Spotlight, On The Radar

Inside Shang-Chi’s evolution from forgotten comic book character to big-screen superhero*

~Scottie Andrew, CNN Entertainment

Shang-Chi and The Legend of the Ten Rings First Reactions

So a couple a weeks ago I had the opportunity to offer a few of my thoughts about Asian representation in comic books and its relationship with the latest Marvel film, Shang-Chi and The Legend of the Ten Rings for CNN Entertainment!! To view the complete article see here.

Check out some of the snippets below:

Shang-Chi’s early issues relied on some problematic stereotypes

Every iteration of Shang-Chi has a similar throughline: He’s always a spectacular martial artist, always playing tug-of-war with his former life as a fighter and always, always tormented by daddy issues. That blueprint was created by Englehart and Jim Starlin, the two-man team who brought the character to life (Englehart, perhaps best known for his dark, noir take on Batman, has also created characters like Star-Lord of “Guardians of the Galaxy,” and Starlin is responsible for MCU icons like its biggest villain, Thanos.)

In the early 1970s, Englehart and Starlin approached Detective Comics (DC) with an idea: a comic book take on the David Carradine series “Kung Fu.” (The series has been criticized for its use of “yellowface,” or casting White actors as Asian characters. Carradine is White but starred as a part-Chinese martial artist.)Starlin, an artist, loved the martial arts element of the story, while writer Englehart said he was interested in delving into Taoism and other philosophies to flesh out his protagonist. The two thought they’d found a match with “Kung Fu” — but DC thought the “kung fu craze was going to disappear,” Starlin said, and passed on the idea.

So the pair took it next to Marvel, whose executives agreed only after insisting that the pair inject some pre-existing intellectual property into their comic, both men told CNN.

In this case, the company had the rights to the character Fu Manchu, a racist caricature of a Chinese man created by British author Sax Rohmer in the early 20th century. The villain was then “grafted onto the series” as Shang-Chi’s father, Starlin told CNN in an August interview. (Racist depictions of Asian characters had appeared in comics before this, like the egg-shaped villain “Egg Fu” in a 1965 Wonder Woman issue and the 1940 character “Ebony White” in the early comic, “The Spirit,” said Grace Gipson, an assistant professor at Virginia Commonwealth University who studies race and gender within comics.)

Gipson, a pop culture scholar who studies race and gender within comics, said hiring writers of color like Yang to helm series about characters of color is an improvement, but it “is really not a hard task.” She said while comics creators have made great strides in deconstructing norms of who a comic book reader is and what storylines they want to see, the hiring of creators of color needs to happen consistently.”It’s about making sure the voices of those being represented always have a seat at the table as well as a microphone to speak,” she told CNN.

Still, she said, as a fan of comics herself, she’s enjoyed seeing more representative stories being told in mainstream comics. 

*Repost from CNN

Posted in On The Radar

On The Radar-Upcoming Event

As I close out the Spring semester, I wanted to make sure I shared this upcoming event:

May 20th, 2021 (8pm/ET)Art Design Chicago Now Program/Terra Foundation for American Art presents, “The Past and Future of Comics”

Art by Bianca Xunise

The future of comic books belongs to Black women. In many cases drawing on Afrofuturism to tell their own stories, Black women comic book artists and writers are redefining the genre and innovating new ways to think about identity, race, and gender. Join Black future feminist and pop culture scholar Dr. Grace D. Gipson and Chicago cartoonist Bianca Xunise (Say Her Name) for a conversation about the history and future of comic books in Chicago and the real superheroes of the genre: Black women authors and illustrators, and their protagonists.

This program is free to all with registration. Registered guests will receive the link to watch via email in advance of the premiere. The event will premiere on YouTube on May 20th at 7pm/CT (8 pm/ET).

To register click here!!